This is my immediate take on the Quartet. It very possibly makes little sense nor would it be technically correct. Instinctually, I committed to "Quartet" before I listened to Rob Bell's take on it (which was a bit too chaotic to follow at the pace I usually require). Musicology is not my particular forté, but the performance piqued many associations of which my limited analysis could identify in terms of structure and influence.
It also invited nostalgia from elementary and middle school music classes where Mr. Frisch invited us to share with the class what the classic piece conjured for us. A fond experience...
Coming full circle, the seemingly effortless associations between emotional extremes reflecting the marching of time, yet peaceful denouement, allows some respite. But, for this newfound piece, it is pleading to be further studied.
This is my immediate take on the Quartet. It very possibly makes little sense nor would it be technically correct. Instinctually, I committed to "Quartet" before I listened to Rob Bell's take on it (which was a bit too chaotic to follow at the pace I usually require). Musicology is not my particular forté, but the performance piqued many associations of which my limited analysis could identify in terms of structure and influence.
It also invited nostalgia from elementary and middle school music classes where Mr. Frisch invited us to share with the class what the classic piece conjured for us. A fond experience...
Coming full circle, the seemingly effortless associations between emotional extremes reflecting the marching of time, yet peaceful denouement, allows some respite. But, for this newfound piece, it is pleading to be further studied.